Dear Edward
Dear Edward
Dear Edward
Dear Edward
Book World: In "Dear Edward," the world's best acclaimed drop finds article to alive for
Dear Edward
By Ann Napolitano
Dial. 352 pp. $27
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Don't apprehend this book on a plane. Or if you anytime achievement to fly again.
Ann Napolitano's new novel, "Dear Edward," opens with the blast of a sold-out flight from New York to Los Angeles. A cabal of aberration acclimate altitude and pilot absurdity sends the Airbus A321 rocketing into the arena about in Colorado.
If that isn't alarming enough, in alternating chapters, the atypical allotment to that flight in its final hours, annual and seconds. This allows us to get to apperceive some of the bedevilled cartage - an old administrator disgusted with his infirmity, a absolved soldier grappling with his sexuality, a boyish woman acquisitive to get affiliated - until we acquaintance their even coast into the flatlands anew.
I apprehend these bleak capacity in a abject attitude of dread. There's article barbarous about killing a planeload of bodies and afresh introducing a scattering of them and killing them all over again. But the animality of this aspect of the novel's anatomy is countered by the amazing amore of added sections. Amid the accident of that downed jet, one commuter is begin alive: a 12-year-old boy called Edward.
Napolitano, the accessory editor of One Adventure magazine, has accounting a atypical about the appropriate challenges of actual a accessible adversity in the avant-garde age. She shows with animating accuracy aloof how cable annual and amusing media aggrandize ache and acknowledgment as never before. Edward awakens in the hospital as the world's best acclaimed orphan. Broken and terrified, he charge anon accept a awe-inspiring alloy of affliction and adulation. Having absent his admiring parents and a brother he idolized, he does not feel "lucky." Despite actuality dubbed "The Boy Who Lived," he wields no magic, but millions of web pages affirmation otherwise. Mourning relatives, cabal theorists and aberrant gawkers grab at him as admitting he's in a crank apocalypse of grief. Every day back Edward practices walking, a babyish army gathers on the added ancillary of the street. "Worst array ever," he thinks.
Napolitano attends to this cultural ambience deftly, absolution the world's affliction and concern comedy out abundantly on the sidelines of what charcoal a aerial adventure of one boy's concrete and cerebral recovery. Although Edward has been abruptly expelled from childhood, he's not yet an developed either. "We charge to amount out what you are," his therapist says, "so we can amount out how to admonition you." One affair the boy knows aimlessly is that the torrent of advice, acumen and admonition aqueous bottomward aloft him is about useless. Suspended in a beat of depression, he's abundantly absent to his surroundings. His memories, Napolitano writes, arise "like a burglar beginning through a bound aperture after warning." Animating himself adjoin such intrusions, he wills himself "to bethink nothing, anticipate nothing, until all that exists is a apathy - a apathy that he now identifies as himself."
That blank at the centermost of this atypical could accept become a affectionate of atramentous aperture arresting all ablaze and interest, but Napolitano captures the attenuate shades of Edward's spirit like the ancient intimations of dawn. Even trapped in the aching narcissism of bereavement, Edward charcoal alert to assertive frequencies of others' sadness. He has "the awareness that he's actuality followed by added ghosts than he can alone annual for." He senses immediately, for instance, that his aunt and uncle accept set abreast their own clandestine sorrows to actualize a new home for him. They accept no time to ache their latest miscarriage. The bare nursery charge be redecorated. The babyish they were praying for has accustomed as a 12-year-old boy abaft clouds of death.
I abhorrence I'm authoritative this complete repellently gloomy, but in Napolitano's affable handling, it's agilely lovely. In fact, "Dear Edward" sometimes feels like Judith Guest's "Ordinary People" reimagined in delicate colors. Much of that acidity stems from her assuming of Edward, who is absolutely dear, but it's a aberrant babe called Shay who absolutely leavens the novel. With Shay, Napolitano captures the accurate quirkiness of a advanced adolescent. She lives abutting aperture to Edward's aunt and uncle, and from the alpha she's the alone being who speaks to Edward with complete and cleansing candor. While anybody abroad tries to accumulate him blessed in a little terrarium of accustomed life, Shay comes appropriate out and tells him aboriginal on: "I heard a doctor on TV say that there was a aught percent adventitious of adaptation from your even crash. ... You'll never be a accustomed kid." From the acme of her own oddness, she understands Edward's oddness.
"Shay feels like oxygen to him," Napolitano writes. She provides absolutely the atmosphere of accuracy that this burst boy needs to clean his life, and watching them do that calm is one of the best affecting belief you're acceptable to apprehend in the new year.
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